If you already have a few 7th chords under your fingers, then try jamming along with the changes over the backing track, or on your own at first if you need some practice to get the tempo worked out. Listen to an example of this chord progression in the audio file below. Notice how this simple blues chord progression uses only three chords: the I7, IV7, and V7.īecause of this, they are often referred to as I-IV-V blues chord changes. Let’s take a look at how the basic blues changes look from a chord name standpoint: The first blues we’ll have a look at is the original 12-bar blues chord progression. ![]() In this section, you will learn six different variations of the blues progression. So, if you hear or see a G13 chord and it’s written as G7, that’s a common approach to comping over lead sheet chords. In a practical comping situation, those chords can be embellished with 9ths, 13ths, 6ths, and other color tones. To keep things practical, the chord voicings on the chart are written as you would see them on a lead sheet, G7, Dm7, Cmaj7, etc. In the audio files and tabs below, you will hear and see common comping patterns over each of these 12-bar progressions.
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